As useful as a compressor is for live applications, it truly shows its worth in a studio recording scenario. Back in the days of analog tape recording, ...
Since the electric bass has a wider dynamic range than many instruments, compression is often applied in order to maintain a more even volume level and to match the dynamics of the kick drum. When peaks are reduced, the entire bass part can be boosted in the mix without adding distortion.
Compression will make the bass sound more even and consistent. By turning down louder notes in a performance, it will help each note play back at a more equal level. This will add solidity to the bass and help it sit better in the mix.
You need a lot of compression to get a solid low end. But 5-10dB’s of compression on a single compressor can wreck your bass tone. It can leave your bass sounding more consistent, but also unnatural, overly-processed. It hardly leads to the most “musical” result. That’s why I recommend using the secret technique of the pros: Serial
Bass 1 -12 15 470 2 4.5 Finger Picked Bass Guitar Bass 2 -12 6 133 1.7 4 Slap Electric Bass E Guitar -8 7 261 3.5 2.5 Electric Guitar Compressor Piano 1 -9 17 238 2.5 1 Brightens Piano Piano 2 -18 7 174 3.5 6 Variation of Piano 1 Sampled Kick -14 2 35 2 3.5 For sampled Bass Drum Sampled Snare -18 8 354 4 8 For sampled Snare Drum Strings 1
Saturation and distortion introduce harmonic content and boost what's already there. Another way to do this is to layer your bass track with another performance of the same melody but using turning up your tone knob or even playing it in a higher octave.. Sidechain Compression - Rather than destroying your beautiful EQ with surgical moves to carve out a ...
Set it outside your door. Actually, if you read the FAQ linked in my sig you'll learn what each of the functions does, and how they work. That's the only way to find "good settings" on a unit like this, is to understand what each function is actually doing and apply them to your signal according to need. Jun 17, 2008 #4.
Many pedal-format compressors have too few controls to let you dial in the settings you want, but the M87 Bass compressor gives you access to 5 control functions to shape your sound as you please, Attack, Release, compression Ratio (selectable between 4:1,8:1,12:1 and 20:1), plus separate Input and Output level controls.
Compressor settings for slap bass that changes to finger bass? I just picked up an FMR RNC compressor. In a few weeks I will be recording my brother on bass (2 channels, 1 his live rig mic'd and the other sansamp) I'm new to compression. What would be a good compression setting to start off on to capture this style of playing:
If you are working with the bass compressor for the first time, it’s recommended that you start with the basic compression settings: ratios in the region of 3:1-4:1, slow attack (100ms), and fast release (25ms). The response threshold has to be set about 5-10dB. Lower the attack until the bass loses aggression and its sound becomes dull.
Instead of focusing on frequency, let’s look at some kick drum compression settings to tame dynamics. That’s right, dynamic range has a HUGE impact on your final mix. Just like a bass guitar, our kick drum’s “low-end” will ...
Let’s listen to an example of various compression strategies on a clean electric bass part that will demonstrate what Scheps was talking about: The following three examples feature the same bass part, but in each one features a different approach to compressing it: Example 1: Bass with insert compression.
Multiband Compressor. Step 2: If the kick is providing the bulk of your mix's low-end weight, try rolling off the sub bass frequencies from the bass signal with a high-pass filter. We're low-cutting our bass guitar with a 24dB/oct filter at 68Hz. If this has thinned out the signal too much, you can boost around 80-120Hz to compensate.
In order to make sure there’s enough room in the low frequencies for the kick drum and the bass guitar, try applying sidechain compression to the bass buss. To set up sidechain compression: Insert a compressor on the bass buss with a sidechain or "key input" feature (like the dbx 160, Renaissance Compressor, C4 or C6) Add a send from the kick
Compressor is a great tool for experimentation and unique sounds, as well as tiny effect that levels off the dynamics in volume. Another factor is the bass active or passive. My personal preference is not to use compressor with active bass, as the bass electronics have a level dynamic range.
If you have a multiband compressor or plugin that allows you to mess with the individual bands of a track, then you can do some cool stuff and create some unique bass sounds. You can take it a step further than just adding Bass fuzz, but add reverb, delay, different compression settings on the different bands inside the bass track.
Acoustic bass and clean electric bass recordings inherently have a dynamic range that's inappropriately wide for most chart contexts, so compression is par for the course. Even expertly programmed synth-bass parts often benefit from some smoothing of unwanted level variations.
The bass requires to be dry as it is and it is always panned to the center. By doing this, you will ensure the bass to be heard equally on both small and big speakers as well as on mono or stereo systems. The effect the bass will benefit from most is the saturation/distortion (subtle) and compression to even it out. The saturation will add
SP Compressor: Settings, Tutorial, and Demo. It's easy to shy away from compressors. They often seem unnecessary and, without understanding the settings and functions, compressors are way too easy to overkill. Well, this little baby, the Xotic SP Compressor, changes everything. In the video below Jason Houtsma, our lead guitar instructor at
Upright bass is not going to sound like a punchy electric bass, just ain't happening. If it's a cheap plywood bass, it's going to go thump and that's it. I wouldn't cut 80 or 100 hz, that's the meat. 400 hz can make upright sound boxy , good place for a cut.
Compression to a bass is analogous to distortion on a guitar, because distortion basically is a form of compression. A sine wave, that wave you see on ...
The Markbass Compressore Tube Bass compressor pedal is a do-it-all accessory that enhances the quality of your sound. It’s a versatile pedal you can use with guitar, bass, and other instruments. You’ll find controls like gain, threshold, ratio, attack, release, and more to adjust the dynamics of your sound.
Studio compression is generally used more subtly to help guitar parts sit in the mix and to enhance details. By gently narrowing the dynamic range, a compressor can ensure that loud parts don’t jump out and quieter bits can be heard. This sort of compression can also help if a player’s technique leaves something to be desired, and there’s
Mini Amp, BIG Tone . FLY 3 Bass is a compact, innovative mini amp that gives you a huge tone on the go. Combining two selectable channels, a continuously variable mid-cut EQ, Sub bass and a compressor for ultimate control over your dynamics; it’s the perfect take-anywhere amp for your bass guitar, phone or table.
Another common situation where I often reach for LF-specific compression is when dealing with upright bass and electric bass-amp recordings. Miking either of those instruments in a project studio environment can result in your capturing a room resonance around the 70Hz region (corresponding to typical domestic ceiling heights of 2-2.5 metres).
Bass. Image by Mike Sandells via Flickr / CC BY 2.0. The reason the kick and the bass tend to be mortal enemies in many mixes is they can literally occupy identical sonic space from a frequency perspective. So before reaching in with any EQ, listen to both and decide where one will take the lead over the other, and in which ranges.
The X Series Concert Bass' very flat and wide 12"-16" compound-radius neck took some getting used to. I expect it will be an adjustment for anyone accustomed to slimmer, J-bass-style neck profiles. But for anyone moving over from a Rickenbacker, or looking for a more affordable alternative, the flatter, wider neck will feel like home.
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The examples (vocal, bass guitar, snare, bass drum) discuss compression and limiting setups as well as ways to use the 1176 as a color box without compressing. This tutorial will teach you everything you need to know about the attack, release and ratio settings.
Compression Settings For Electric Guitar. If your guitar is heavily distorted then it already has some compression on it and even if you check the wavform you’ll see that it’s a brickwall. Then in that case you’ll just add minor compression to help it sit well in the mix. Also try some parallel compression as well.